Concerto
Well-Known Member
Who made these comments on modern production yacht designs.
‘I think they show great variety and some of them are exciting and successful. Rather like motor cars, they seem to get bigger and bigger (beam and freeboard) for a given number of passengers/crew. I guess that’s the way the market goes. Some of them are quite extreme.
‘A big part of design is the skill of balancing the various elements, which all have to work together, to get to the right function-to-purpose factor.
‘Hence a very wide stern, for example, is good providing it doesn’t make the boat unbalanced going to windward in a lot of breeze – which can sometimes happen with designs that are fine forward, unless you have heavy crew sitting on the aft weather rail.
‘A wide-stern boat needn’t be unbalanced without this crew weight providing the lines are compensated for by fuller sections forward.
‘A yacht designer has to know his onions when it comes to hull form and volume distribution. In my opinion this only comes from successful racing yacht designers who have studied their own work, first hand, by sitting on the rail for hours, weeks and, if you add it all up, years, trying to win (and winning) major offshore races around the world.
‘That’s what I did in the ’70s, ’80s and into the ’90s. It’s indispensable. If I were a client for a cruising yacht, I would only go to a successful racing-yacht designer who had also designed beautiful cruising yachts.
‘The key is to identify the true purpose of the yacht and that can only be achieved by understanding the client and what he wants. This is the same with a private individual or a production boat company. Like most things in life, success is born out of good communication.’
Interesting comments by who?
‘I think they show great variety and some of them are exciting and successful. Rather like motor cars, they seem to get bigger and bigger (beam and freeboard) for a given number of passengers/crew. I guess that’s the way the market goes. Some of them are quite extreme.
‘A big part of design is the skill of balancing the various elements, which all have to work together, to get to the right function-to-purpose factor.
‘Hence a very wide stern, for example, is good providing it doesn’t make the boat unbalanced going to windward in a lot of breeze – which can sometimes happen with designs that are fine forward, unless you have heavy crew sitting on the aft weather rail.
‘A wide-stern boat needn’t be unbalanced without this crew weight providing the lines are compensated for by fuller sections forward.
‘A yacht designer has to know his onions when it comes to hull form and volume distribution. In my opinion this only comes from successful racing yacht designers who have studied their own work, first hand, by sitting on the rail for hours, weeks and, if you add it all up, years, trying to win (and winning) major offshore races around the world.
‘That’s what I did in the ’70s, ’80s and into the ’90s. It’s indispensable. If I were a client for a cruising yacht, I would only go to a successful racing-yacht designer who had also designed beautiful cruising yachts.
‘The key is to identify the true purpose of the yacht and that can only be achieved by understanding the client and what he wants. This is the same with a private individual or a production boat company. Like most things in life, success is born out of good communication.’
Interesting comments by who?
