chippysmith
Well-Known Member
Up for sale.. Don't know the whys or wherefores, hope to find out more but on the face of it, it seems a real shame, especially from the rebuild point of view
I seem to recall a quote from Francis Chichester about her "hobby-horsing violently in the Solent chop"
Like this?
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It's to Chichester's credit that he was so honest. Ordinary mortals are less inclined to report that their life savings have been invested in a boat that sails like a bathtub.I would advise anyone thinking of taking on this boat to read Chichester's own account of her in 'Gypsy Moth circles the world' - he was never really happy with her, and completed his circumnavigation constantly battling her shortcomings, although at least some of those have to be put down to inadequate preparation and lack of sea trials before he set out. Nevertheless, if any boat deserves to be preserved for the nation, it's this one. Needs to have a trust set up to own , maintain and operate her.
It's to Chichester's credit that he was so honest. Ordinary mortals are less inclined to report that their life savings have been invested in a boat that sails like a bathtub.
I wonder whether "preserving her for the nation" is throwing good money after bad. For what purpose is she to be preserved? So that youngsters can have a stab at sailing? There are much better boats for that. As a museum piece? She's been there, done that, and look what a mess she got into. As a warning to boat designers that grand ideas and good looks don't guarantee good seagoing qualities? Perhaps.
Why?There are many more boats that have done much more spectacular voyages just without the media adoration & upper class connectionsI if any boat deserves to be preserved for the nation, it's this one. Needs to have a trust set up to own , maintain and operate her.
If I had the time, I'd dig out the pictures I took of her coming up the Thames (and through Tower Bridge, or is my memory addled?) accompanied by fire-fighting vessels sending fountains of water high into the air.I guess you need to be old enough to remember the event - at the time, Chichester was a national hero. After he'd done the voyage, Gypsy Moth was taken on a tour round the UK by sea, and I can remember, at a young age, going out on a 'penny sick' from Exmouth to see her in all her battered glory. It's sad that such a beautiful craft sails so badly, I reckon a little more fullness to the forward part of the hull would make a lot of difference - as you can see from the video, she's a bit of a floating pendulum - but regardless of her sailing qualities, she's still a unique part of Britain's maritime heritage and should be kept in the UK. Museum piece or afloat - well, that's the question, certainly cheaper to keep her ashore, just seems a bit of a waste...
While I admire Chichester's exploits, I have a lot more admiration for Alex Rose, who did much the same trip in Lively Lady, a vessel that wasn't built for the purpose, and who did it with much less self promotion and fanfare.
I guess you need to be old enough to remember the event - at the time, Chichester was a national hero. After he'd done the voyage, Gypsy Moth was taken on a tour round the UK by sea, and I can remember, at a young age, going out on a 'penny sick' from Exmouth to see her in all her battered glory. It's sad that such a beautiful craft sails so badly, I reckon a little more fullness to the forward part of the hull would make a lot of difference - as you can see from the video, she's a bit of a floating pendulum - but regardless of her sailing qualities, she's still a unique part of Britain's maritime heritage and should be kept in the UK. Museum piece or afloat - well, that's the question, certainly cheaper to keep her ashore, just seems a bit of a waste...
Sad that two great achievements should be compared with some derogatory comments above.
I've read both of their accounts and was a young man during their incredible voyages.
From different backgrounds they may have been, but I find them both an inspiration.
Is it easy to lose sight of the enormity of their exploits given the equipment they had to hand?
Isn't it a pity that both craft cannot be kept as a 'living' reminder of our heritage?