dylanwinter
Well-Known Member
One of the responses to the other thread about the broads film from whipper snapper got me thinking about the use of audio on sailing films and would love to hear what you have to say.
Clearly wind noise is a problem - so the easy way out is to smear music all over the shots. Youtube is full of those - some of them are wonderful - some are less wonderful
http://www.youtube.com/watch?v=qKGupz_9mGc
http://www.youtube.com/watch?v=MrmqcYe1RM8
also the right music can help to bind a series of shots together -
but what is the right music is obviously subjective - but if its music you hate...well then you are never going to like the films.
try opening two youtube windows and playing the audio from the kite film over the antigua one.
in some places music works really well - but sometimes, as a sailor, you want to hear the sounds of the sailing.
But even if you win against the wind noise there is no microphone that can ever "hear" the world the way a human ear can. The human ear and brain can edit frequencies to concentrate on one part of the soundscape.
I have tried mixing sailing shots with and without music
no music beating up the nene - tide underneath us
http://www.keepturningleft.co.uk/scuttlebutt/scuttlebutt-108-beating-up-the-nene/
music -again beating - but up the low tide channel at Iken Cliff - allowing some of the sailing sounds to intrude on the music.
http://www.keepturningleft.co.uk/scuttlebutt/scuttlebutt-66-troublesome-reach/
the other thing is that people will be listening to the audio mix on all sorts of different bits of equipment from laptop speakers to full hi-fi. In the last film the balance of the sailing and the music will be different on a decent speaker to the way it might sound on a rubbish one
mixing audio that will work on all systems pretty tough - actually its well beyond my abilities
I quite like a reasonable dynamic range when watching a TV prog
I like quiet moments and I like noisier ones - I like those in the films because that is what sailing is like
I mix the audio for the films on £80 desptop speakers in a room with a reasonable accoustic
On the other hand listening to material that has been compressed so that it works on the average £15 set of desktop speakers - or even worse laptop speakers might sound a bit in your face on good kit.
As Whipper snapper said, the bit in the last film where I talked about a mud weight had low audio on it -
he is dead right - and it was low - I can hear it okay on my speakers and I also know what I am going to say
- but I listened to it on my laptop and it did sound pretty horrible - and hard work to boot.
So, if you are interested in offering some feedback
love to know your thoughts on music in sailing films
and maybe examples of where it has been used well
and also - how do you listen to web films
.. laptop, £15 speakers, a hifi, headphones - your responses will certainly help me to refine the audio mixes on KTL
Dylan
Clearly wind noise is a problem - so the easy way out is to smear music all over the shots. Youtube is full of those - some of them are wonderful - some are less wonderful
http://www.youtube.com/watch?v=qKGupz_9mGc
http://www.youtube.com/watch?v=MrmqcYe1RM8
also the right music can help to bind a series of shots together -
but what is the right music is obviously subjective - but if its music you hate...well then you are never going to like the films.
try opening two youtube windows and playing the audio from the kite film over the antigua one.
in some places music works really well - but sometimes, as a sailor, you want to hear the sounds of the sailing.
But even if you win against the wind noise there is no microphone that can ever "hear" the world the way a human ear can. The human ear and brain can edit frequencies to concentrate on one part of the soundscape.
I have tried mixing sailing shots with and without music
no music beating up the nene - tide underneath us
http://www.keepturningleft.co.uk/scuttlebutt/scuttlebutt-108-beating-up-the-nene/
music -again beating - but up the low tide channel at Iken Cliff - allowing some of the sailing sounds to intrude on the music.
http://www.keepturningleft.co.uk/scuttlebutt/scuttlebutt-66-troublesome-reach/
the other thing is that people will be listening to the audio mix on all sorts of different bits of equipment from laptop speakers to full hi-fi. In the last film the balance of the sailing and the music will be different on a decent speaker to the way it might sound on a rubbish one
mixing audio that will work on all systems pretty tough - actually its well beyond my abilities
I quite like a reasonable dynamic range when watching a TV prog
I like quiet moments and I like noisier ones - I like those in the films because that is what sailing is like
I mix the audio for the films on £80 desptop speakers in a room with a reasonable accoustic
On the other hand listening to material that has been compressed so that it works on the average £15 set of desktop speakers - or even worse laptop speakers might sound a bit in your face on good kit.
As Whipper snapper said, the bit in the last film where I talked about a mud weight had low audio on it -
he is dead right - and it was low - I can hear it okay on my speakers and I also know what I am going to say
- but I listened to it on my laptop and it did sound pretty horrible - and hard work to boot.
So, if you are interested in offering some feedback
love to know your thoughts on music in sailing films
and maybe examples of where it has been used well
and also - how do you listen to web films
.. laptop, £15 speakers, a hifi, headphones - your responses will certainly help me to refine the audio mixes on KTL
Dylan