Mirelle
N/A
I use boiled linseed oil with the end of a can of varnish mixed in (roughly 3:1) to make it go off.
I switched to this from anhydrous lanolin because the latter picked up dirt from the air and marked sails more.
I once saw the standing rigging of "Charmina", Kevin O'Riordan's Albert Strange yawl; the wires had been dressed with so many coats of linseed that they were quite smooth, a dark brown colour, and very supple; I should think they would last for ever.
What mixtures do others favour?
I switched to this from anhydrous lanolin because the latter picked up dirt from the air and marked sails more.
I once saw the standing rigging of "Charmina", Kevin O'Riordan's Albert Strange yawl; the wires had been dressed with so many coats of linseed that they were quite smooth, a dark brown colour, and very supple; I should think they would last for ever.
What mixtures do others favour?