camera gear

dylanwinter

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28 Mar 2005
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Location
Buckingham
www.keepturningleft.co.uk
I often get asked what I use

so I made a little blog about the gear and how to get slightly steadier shots

http://www.keepturningleft.co.uk/blogs/cameras-and-steady-shots/

HX-WA30EB-A-HiRes-Image__Image--%5B1%5D((Europe))-1ZoomA1001001A12L28B35503J00800.jpg


use the flip out viewfinder rather than the eye piece

hold the camera in the middle of your body – at the level of your solar plexus

wear dark clothes so that you can see the image and not the reflections

stand like a gorilla – legs apart – bent at the knees, elbos a bit bent – try to hold something steady in the frame – just concentrate ion the top of the sail of the boat you are filming

use the camera on top of folded tripod – it gives you a bigger thing to hold onto and makes the camera a bit heavier

never use the zoom – if the thing you are filming is too small in the viefinder then get closer – or film something bigger

bungee the camera and tripod to the stern rail – at least then the boat is still in the frame

bungee the tripod to a boat hook for some high shots

occasionally slow the film down to 80 per cent – you suddenly become 20 per cent more steady

crank up the contrast and brightness by ten per cent before uploading the film to youtube

wind noise is always a problem – so hold the camera down low in the cockpit for two minutes when you film where it will be out of the wind but will record the sound of the boat

then move that boat sound over the windy bits

film over the bow, film the stern, film the sails, film the penant, film the wash, film ropes moving, film sparkles on the water, don’t be afraid to film into the sun, film bouys, passing trees, bits of crud in the water, sailing is about moving. Let each shot last for at least ten seconds – if the camera wobbles then start counting again



but remember that you need something moving – a bird flying across the horizon, a post passing, another boat

if you want to get some low shots of water then using the tripod hold the camera upside down near the water then flip the image in the edit

don’t use a go pro

Dylan
 
All good advice.

However, I have a Panasonic HX-WA10 and the flip out viewfinder is completely useless in any kind of sunlight, or even what passes for sunlight in England these days. All you can do is sight down the top of the camera (there is no eyepiece viewfinder) and hope you've framed what you're shooting. Is there a screen setting that I'm failing to find that enables daytime viewfinding? After last weekends efforts on the boat I'm going back to my old Sony with an eyepiece.
 
All good advice.

However, I have a Panasonic HX-WA10 and the flip out viewfinder is completely useless in any kind of sunlight, or even what passes for sunlight in England these days. All you can do is sight down the top of the camera (there is no eyepiece viewfinder) and hope you've framed what you're shooting. Is there a screen setting that I'm failing to find that enables daytime viewfinding? After last weekends efforts on the boat I'm going back to my old Sony with an eyepiece.

hold it down low

so shoot from the mid riff

wear a dark tea shirt so that the reflected light is coming off the tee shirt

you can open your fleece up and that shades the image

you need to learn what the camera is looking at

so if you are filming a boat and all you can see is the white sail in the frame then just make sure it is framed so that the rest of the boat will be in frame

if you no longer want the camera.....

because I think it is the best general purpose one I have ever had

D
 
No mention of what to do with the auto-focus which I noticed cutting in and out on one of your recent offerings, Dylan. What advice there?
 
No mention of what to do with the auto-focus which I noticed cutting in and out on one of your recent offerings, Dylan. What advice there?

deepest apoologies

can you remember which one?

might be one where I just left the camera running

or youtube does weird stuff occasionally when it compresses things

production values not that high on the bloggy things

the dvds have been better edited

but generally they are "okay when they left here" (which is an old BBC mantra)

D
 
hold it down low

so shoot from the mid riff

wear a dark tea shirt so that the reflected light is coming off the tee shirt

you can open your fleece up and that shades the image

you need to learn what the camera is looking at

so if you are filming a boat and all you can see is the white sail in the frame then just make sure it is framed so that the rest of the boat will be in frame

if you no longer want the camera.....

because I think it is the best general purpose one I have ever had

D

Yep, tried all that. Sometimes I must look like I'm rehearsing a contortionist act when I'm setting up to shoot. I'll keep the camera for interior work; bit of a waste of the waterproof feature - I suppose I could use it in the bath.
 
Thanks for this Dylan as I was seriously considering a GoPro to replace an ancient JVC video camera. I must admit your KTL films (videos) are very clear and watchable. One thing I have noticed from many home produced videos, including my own, is a clicking sound dispersed through the film. It is like a plastic on plastic tapping noise, or finger nails on plastic. I realy don't know what is causing it but it. Could it just be clicks from the plastic due to finger pressure when moving the camera?
 
deepest apoologies

can you remember which one?

might be one where I just left the camera running

or youtube does weird stuff occasionally when it compresses things

production values not that high on the bloggy things

the dvds have been better edited

but generally they are "okay when they left here" (which is an old BBC mantra)

D

No need to apologise, dear chap.

I think it was in the "Tetney Haven to Winteringham - sailing against the tide" one at about 14:10 to 15:20 with the boom just in shot at the top of the frame and also around 16:20ish with the mainsheet flicking in and out.

Certainly didn't detract from the excellent production. My comment should have perhaps asked "Do you have the AF turned on or off?" :D
 
The zoom button makes little clicks on my camera, perhaps it is that.

Thanks for this Dylan as I was seriously considering a GoPro to replace an ancient JVC video camera. I must admit your KTL films (videos) are very clear and watchable. One thing I have noticed from many home produced videos, including my own, is a clicking sound dispersed through the film. It is like a plastic on plastic tapping noise, or finger nails on plastic. I realy don't know what is causing it but it. Could it just be clicks from the plastic due to finger pressure when moving the camera?
 
All good advice.

However, I have a Panasonic HX-WA10 and the flip out viewfinder is completely useless in any kind of sunlight, or even what passes for sunlight in England these days. All you can do is sight down the top of the camera (there is no eyepiece viewfinder) and hope you've framed what you're shooting. Is there a screen setting that I'm failing to find that enables daytime viewfinding? After last weekends efforts on the boat I'm going back to my old Sony with an eyepiece.

You could look for something called a hoodman from here?

http://www.keene.co.uk/electronics/product.php?mycat=11_3_813
 
Certainly didn't detract from the excellent production. My comment should have perhaps asked "Do you have the AF turned on or off?" :D

If you were a pro cameraman working for an HD channel, you'd have it turned off, but in reality, I always have mine turned on, because I can't do retakes, and multiple rehearsals.

In time, and as you learn from your mistakes, you'll spot instances that are AF danger points, like filming a landscape with a horizontal boom in the foreground or something like that. Filming into the sun at a particular angle can also make the dust on a wide angle lens come into focus too, but that's quite rare.

Keep autofocus on, but watch for danger shots is my preference.
 
I think my new invention, the extended-bill photographer's cap, should find a ready market at £99.99.
View attachment 32296

arf arf

another marketing idea that is a sure fire winner

as for using the waterproofone indoors

- well that is when it works worst - not good in poor light - tiny lens the size of a postage stamp

as for auto focus

pretty much on all the time unless I am filming for work

but if there is enough light then the depth of field is so perfect that only use AF for the arty shots on the big camera

when it comes to the paid for films all those will go through an extra post production stage involving tightening, colour balancing, audiomixing

all far from perfect being a one man band

but I would hate to think that I would be outlived by my sloppy editing

the paid for films are often watched on big HD tVs with decent speakers

the youtube films are usually watched on laptops with speakers the size of thimbles

D
 
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