Yorkshire Exile
Well-Known Member
Thanks everyone for some fascinating insights and thanks to Admin for merging.
hard pressedThanks Egret, I have corrected the OP. He thought they had their problems, notably the potential for knock down when hard pressed,




I was sent Yachts & Yachting when at school in the 60s. They used to put in a nice full page of a buxam Mermaid, which would not have been popular at an RC school... Did cheer up my friends tho.My favourite period was when MG was editor of the Yachting Monthly, in their art deco period about 1930 - 39, with paintings on the front cover, many by Fid Harnack.
Eg, April 1932
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The infamous Y&Y mermaids were painted by commercial artist Colin Grierson. They would be totally unacceptable these days and indeed after one controversially appeared on the front cover, I think while Peter Milne was editor, they were dropped.I was sent Yachts & Yachting when at school in the 60s. They used to put in a nice full page of a buxam Mermaid, which would not have been popular at an RC school... Did cheer up my friends tho.
Please write more ,being a Griffiths fan that peiriod of yachting and commercial craft is interesting.The infamous Y&Y mermaids were painted by commercial artist Colin Grierson. They would be totally unacceptable these days and indeed after one controversially appeared on the front cover, I think while Peter Milne was editor, they were dropped.
Colin Grierson was the owner of “Scoter” for many years from the 1930s onwards. She was originally built as a bawley-rigged wildfowling boat, with a centreplate, by Howard of Maldon in 1894. It is said that Maurice Griffiths based the first “Lone Gull” on “Scoter’s” lines, which had been given to him by Grierson.
Another artist whose work was regularly used in those days by Y&Y was Keith Shackleton whose beautiful paintings and drawings, often of dinghies racing, were more acceptable than the mermaids. Keith was a friend of fellow painter Peter Scott, was involved in the early days of Slimbridge snd also crewed in International Fourteens for him.
Excellent!My favourite period was when MG was editor of the Yachting Monthly, in their art deco period about 1930 - 39, with paintings on the front cover, many by Fid Harnack.
Eg, April 1932
View attachment 207209
I think Classic Boats wet someway to turning the tide so to speak.From the days when YW, YM, &c. had interesting, unobstructed cover pictures, some of them almost good enough to frame.
Now they seem to be a mish-mash of headlines with a yacht hidden somewhere amongst them.
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There is a bit more to the history of Grierson and Scoter. After the war MG designed a new boat for Grierson based loosely on the lines of Scoter although essentially a big centreboard development of the Lone Gull type. Called Idle Duck she was built by Millers of St Monance. She is featured in the MG book "Fifty years a yacht designer" with an illustrated description and photos. She is still around and is currently for sale in Kent. Fortunately, or unfortunately depending on your point of view she has been extensively rebuilt so looks in good nick. However, not sure that either Grierson or MG would find it an improvement on the original! Details here apolloduck.co.uk/boat/maurice-griffiths-for-sale/800652The infamous Y&Y mermaids were painted by commercial artist Colin Grierson. They would be totally unacceptable these days and indeed after one controversially appeared on the front cover, I think while Peter Milne was editor, they were dropped.
Colin Grierson was the owner of “Scoter” for many years from the 1930s onwards. She was originally built as a bawley-rigged wildfowling boat, with a centreplate, by Howard of Maldon in 1894. It is said that Maurice Griffiths based the first “Lone Gull” on “Scoter’s” lines, which had been given to him by Grierson.
Another artist whose work was regularly used in those days by Y&Y was Keith Shackleton whose beautiful paintings and drawings, often of dinghies racing, were more acceptable than the mermaids. Keith was a friend of fellow painter Peter Scott, was involved in the early days of Slimbridge snd also crewed in International Fourteens for him.